Tag: Mad Max

Sunday night was all about celebrating blood, boobs and bombs as the Midnight Madness pirates stormed the bastilles, er, whatevs, and we were introduced to Mark Hartley’s self-proclaimed “rockumentary” Not Quite Hollywood – about Ozploitation cinema – that is to say – the non-existent Australian film industry doing whatever it could, back in the late 1960’s and 70’s to get even a modicum piece of the Hollywood pie.

Thinking they were at the edge of a wave of a global revolution that was really only happening on a farm field in Woodstock, the Aussies took to disrobing like it was the job.  Then, when a little horror and post-acid-trip surrealism was the where the registers were clinking, the blood was introduced, in bucketloads.  Add some semi-retired bona fide Hollywood star power to the mix and you had to have a recipe for cinematic world domination, rendering such masterpieces as Turkey Shoot (aka Escape 2000 in the US), Dark Age (really bad alligator horror flick), The Man From Hong Kong, and ultimately Long Weekend and Mad Max.

The beauty of it all of course was that there really were no scruples.  It was – whatever it takes to get the shot, even if it meant firing live ammo at the actors (I guess squib explosives attached to rock-faces were out of the budget range?) or hoisting a guy 70 feet in the air on a cherry-picker without anything to fall back on (um, no pun intended?) since helicopters were definitely out of the question.

But as Quentin Tarantino, who claims the lion’s share of the commentary in this doc states – Aussies can shoot car chases without equal.  Their cars look nicer than American cars, their chase scenes are way more fucking crazy, and the shots are without equal.

Brian Trenchard-Smith signs an autograph at Midnight Madness

Anyway, it was a good romp, director Brian Trenchard-Smith was in attendance and the audience applauded at the suggestion that a revival festival should be erected at Cinematheque (as opposed to grindhouses) for this pioneering ouevre.

The Rock-U’s visual effects were terrific, the pace was good, we laughed, we cried, we missed Russ Meyers.

My only question is – 8am screenings – what?

Remaining Screenings:

Friday September 12    |  06:15PM     |  VARSITY 2

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Monday night – the Ecstasy Films Inc. party at Empire in Yorkville was bloody crowded.  That’s about all I can say about it, except for the free drink ticket and Bedouin Soundclash who sounded amazing despite the fact that we ultimately had to enjoy their set from outside in the rain because literally, not a deflated blow-up doll could fit in that room.

Bedouin Soundclash at Empire in Yorkville

As I mentioned previously, Ecstasy, adapted from the book by Irvine Welsh (who wrote Trainspotting, in case you are just on a short stay to planet Earth) is a film about to go into production directed by Rob Heydon and set to star Richard E. Grant (yes he of Withnail and I), Billy Boyd (of hobbit fame) and Erica Durance (of Maxim cover fame).

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In non-TIFF film news – the very long awaited sequel to Boondock Saints that will star the original cast and be directed by Troy Duffy himself is gearing up for production.  Holy f$%in s%$^!!!