TIFF’08 - Four final mini film reviews - bambambambam

Posted at September 13, 2008 @ 5:05 am by Ighuaran in 2008, TIFF, Toronto International Film Festival 2008, cinema, festival, film

1. Dungeon Masters

Dungeon Masters

Dungeon Masters

An attempt at eye-level documentary of three still-operating Dungeon Masters.  One is an active American Reservist who has a wife one would assume to sway the army from examining his obvious need to come out.  Another is a part-time apartment manager living in Torrance with a wife and kid who just can’t find a way to make a living doing what he does best - running a D&D campaign.  The other is a lonely intelligent girl from Mississippi who paints herself black from head to toe to become a Drow Elf and frequently participates in LARP (live-action role-play).  The score is by Blonde Redhead.  The film is great, one of my festival favorites, but there is so much more to mine, that I left feeling a bit cheated and curious if it was really as neutral an eye as the introduction claimed.  I felt a like the director was mesmerized by the nerdiness of it all.  I think there is more to the culture than nerddom.  But that’s just me.

Recommend.

2. Who Do You Love

Bleh.  What is it with German directors who can’t grasp what it is that makes American music as cool as it is?  An outside-in fanboy look at the Chess Record label, it misses every opporunity for nuance, subtext and so on and defaults to the same shitty Lifetime Network Movie of the Week about [Insert Blues/Rock Icon Here] growing-up-in-a-small-time, having-affair-on-his-small-town wife,-seeing-the-error-in-his-ways, trying to -to-get-her-back,-left-onstage-at-the-end-with-the-fans, but-was-it-really-worth-it? formula that we saw in Ray, Walk The Line, etc etc ad nauseum except to the point of caricature.

Pass.

3. $9.99

Stop-motion.  Using almost Bunuelesque surrealism, a freaky fallen angel character who I am still contemplating, great voice work from Geoffrey Rush and company, eerie winsome soundtrack, a refreshing and candid fiction about the meaning of life.

Recommend if you can ever find it in distribution.

4. American Swing

American Swing

American Swing

Some documentaries are just plain archaeological digs that endeavor to retroactively reassemble a story from the few bone fragments discovered.  This one feels like that and does a remarkably good job considering the short order of barely viewable beta 3/4″ footage they have to intercut between the HD interviews they shot with the old-folks who once moshed around in a couple of club basements in New York in the ’70’s fucking everything that moved.  Then AIDS and coke came into the picture and the scene crashed and roll credits.  Cool enough I suppose, if I cared a little more.

For a slow night, or if you need more insight into why people dig the Lifestyle.




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TIFF’08 - Soul Power - another reason 1974 was an extraordinary year

Posted at September 4, 2008 @ 3:29 am by Ighuaran in 2008, TIFF, Toronto International Film Festival 2008, cinema, festival, film

1974 was a one of those strange years that drew infamy, intensity and just plain strangeness with which certain years, be it due to a nexus of precipitating events, or coincidence, become saddled.

I am particularly cognizant of the curiosities of that particular year because it is the year I was born. May 14th. Exactly two months prior, Russell Hoban had a sudden need to begin jotting down strange near-phonetic revelations in his post-nuclear-apocalyptic/spiritual book Riddley Walker. Philip K. Dick identified that year as the one where V.A.L.I.S. - the Vast Active Living Intelligence System - beamed a pink light into his head, causing him to simultaneously inhabit the time of Christ and the present day Santa Clara where he in actuality dealt heroine out of his basement to the local neighborhood kids.

Nixon was impeached. Stephen King published Carrie. The Super Outbreak - the largest chain of tornadoes ever to hit the US and Canada left 315 dead and 5000 injured. India successfully detonates first nuclear weapon. The very first UPC code was scanned in a store in Troy, Ohio. The Symbionese Liberation Army recruited Patty Hearst. Juan Peron, beloved president of Argentina, husband to Evita, dies. Christine Chubbuck, a newscaster for WXLT-TV shot herself in the head in a live broadcast. Restrictions on holding private gold in the United States, created by Franklin Roosevelt are removed.

Duke Ellington, “Mama Cass” Elliot, Ed Sullivan, Jack Benny, Samuel Goldwyn, and Nick Drake, die.


Meanwhile in Kinshasa, Africa, American producer Stewart Levine and South African musician Hugh Masekela organize a three-day festival to coincide with the “Rumble in the Jungle” boxing match-up between George Foreman and Muhammed Ali. The lineup consisted of Bill Withers, James Brown and the Mighty JBs, B.B. King and list of African superstars that included Miriam Makeba and Afrisa. Most of the American music legends were visiting Africa for the first time.

Documentary footage of the event was tangled up in legal affairs encircling the Liberian backers, but footage finally became available when the issue was settled in order to form the basis of the Oscar winner “When We Were Kings” - a documentary concerned with the boxing match. Footage of the music concert remained unpublished - until now.

While bootlegs of the show have been readily available for years, for the first time in three decades, California-born director Jeffrey Levy-Hinte presents a heretofore unseen perspective on the white-hot music of the mid-seventies’ monsters of soul in a setting that startles and documents a time when connections were becoming more enthusiastically recognized between contemporary American music and its connections to that of Africa.

Showtimes:

Thursday September 04 06:30PM AMC 6
Saturday September 06 09:00PM AMC 10
Saturday September 13 10:00AM AMC 3



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