Category: cinema

  • TIFF’08 – Soul Power – another reason 1974 was an extraordinary year

    1974 was a one of those strange years that drew infamy, intensity and just plain strangeness with which certain years, be it due to a nexus of precipitating events, or coincidence, become saddled. I am particularly cognizant of the curiosities of that particular year because it is the year I was born. May 14th. Exactly…

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  • TIFF’08 – Where a party is more than just a party

    In festival speak a “party” means a select number of people and their significant others, agents, producers, assistants, best friend from high school and the dude they just met taking a piss in the alley outside the Gala screening are the only ones who get into a room. Sometimes the room is beautifully decorated, at…

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  • TIFF’08 – Exclusive Interview with Trent Hagaa – Writer of Deadgirl

    This year’s Midnight Madness features its perennial lineup of unpredictable edgy screenings, and Deadgirl is no exception.  Already earmarked as a critics’ must-see, TheCulturepin.com had an opportunity to pry into the mind of the screenwriter whence this sordid tale was birthed. The Culturepin: So…one bright Sunday morning you woke up and thought “I should write…

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  • TIFF’08 – How To Get Tickets You Want – in layman’s terms

    Even a TIFF veteran tends to find the process of getting tickets to the screenings they want daunting, and the cryptic instructions provided by the festival itself are of little help, that is, when you can find them.  This year I wanted to make sure I spared myself wiling away some of my fading years…

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  • TIFF’08 – JCVD – Muscles From Brussels Goes Po-Mo

    Director Mabrouk El Mechri, a native of Versailles (a Parisian suburb whose name is believed to come from the Latin “versare” or, “to keep turning over”) brings an interesting turning of the soil for Belgian action legend Jean Claude Van Damme in what I deem one of the most interesting films to come to the…

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  • TIFF’08 – Treeless Mountain

    After winning a Special Jury Prize for Independent Vision at Sundance for her first film, “In Between Days,” director So Yong Kim was invited to workshop her project “Treeless Mountain” at the exhaustive and consistently effective Sundance Writers and Directors labs. A US/Korean co-production, South Korean native Kim who cites Belgian directors the Dardenne Brothers…

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